As if we didn’t watch a lot of television before the pandemic, we’re now watching more than ever as we’re waiting for our turn to get a vaccine.
AARP Magazine’s February 5, 2021 issue, media critic Tim Appelo makes his picks of the TV series that have had the greatest influence on our collective culture and, by extension, each of us. We have edited the list to fit our space. To see Tim’s list in it’s entirety, click here.
As if we didn’t watch a lot of television before the pandemic, we’re now watching more than ever as we’re waiting for our turn to get a vaccine.
AARP Magazine’s February 5, 2021 issue, media critic Tim Appelo makes his picks of the TV series that have had the greatest influence on our collective culture and, by extension, each of us. We have edited the list to fit our space. To see Tim’s list in it’s entirety, click here.
Barrier-breaking sitcoms
All in the Family (1971–79) Liberals and conservatives alike loved Archie Bunker's un-P.C. malapropisms. The show, which was unlike any other up to its time, openly tackled issues such as Vietnam, infidelity, race relations, homosexuality, women's liberation and menopause.
The Golden Girls (1985–92) What? Four single women over 50 and they're having the time of their lives? Every belly laugh struck a blow for the dignity of aging.
The Fresh Prince of Bel-Air (1990–96) Featuring Will Smith, it was one of the first shows where Black kids could see a Malcolm X poster like the one on their own bedroom wall.
Will & Grace (1998–2006, 2017–20) An indelible portrait of true friendship, this show offered prime-time TV's first gay lead character.
Why we absolutely had to buy cable ...
The Sopranos (1999–2007) The first mob drama on a par with The Godfather and Goodfellas (with which it shared 27 cast members).
Mad Men (2007–15) The stylish period piece made Madison Avenue cool again and launched Jon Hamm and Elisabeth Moss to fame and fortune.
Game of Thrones (2011–19) The fantastically complex fantasy about battling royals whisked us all to another world.
Families we loved, decade by decade
Father Knows Best (1954–60) The title said it all: Dad rules.
Leave It to Beaver (1957–63) The first kid's-eye-view family sitcom, inspired by its writers’ kids.
The Jeffersons (1975–85) The first long-running hit sitcom about African Americans featured a strong female lead and TV's first Black woman married to a white man.
Modern Family (2009–20) It was shot as a fake documentary, and its clans mirrored reality — traditional, blended and same-sex.
This Is Us (2016–Present) A healing show in a divisive time, with six times as many Black writers as most shows and such big-name directors as Regina King.
Just laugh-out-loud funny
Laugh-In (1967–73) The kitschy sketch-comedy show spawned such catchphrases as “Sock it to me!"
Saturday Night Live (1975–Present) The cast has tapped squarely into the zeitgeist for 45 years now, offering a live-comedy high-wire act with no net that has featured a who's who of the funniest actors in America, among them Bill Murray, Tina Fey, Eddie Murphy, Will Ferrell ...
Cheers (1982–93) Who knew that bar life in Boston — where everybody knows your name — could be so funny?
Seinfeld (1989–98) A sitcom about nothing more than human foibles and the infuriating minutiae of everyday life on Manhattan's Upper West Side.
Shows that changed our views of women, at home and at work
I Love Lucy (1951–57) America liked Ike — but it was Lucy we loved. The day after 29 million watched Eisenhower's inauguration, 44 million watched Lucille Ball's character rush to the hospital to give birth. The show, with TV's first interethnic couple (Desi Arnaz, Ball's costar and real-life husband, was Cuban American), influenced all later sitcoms.
The Mary Tyler Moore Show (1970–77) She could turn the world on with her smile, yet she was TV's first woman defined by work, not a man. So Lucy's infantile “Waah!” gave way to Mary Richards’ verging-on-tears, authority-challenging “Mr. GRANT!"
Maude (1972–78) Maude (Bea Arthur) was the liberal answer to Archie Bunker, debating issues from abortion to mental illness to face-lifts.
Murphy Brown (1988–98, 2018) Candice Bergen's TV news anchor was a boss — irritable, smart, unreasonable, uncompromising. The show commented on political events; when Vice President Dan Quayle criticized Murphy for being a single mom, it became a real-life controversy.
Veep (2012–19) Julia Louis-Dreyfus helped make unsympathetic heroines cool on Seinfeld, though TV women reached a new peak of cynicism and meanness in her hilariously self-serving Vice President Selina Meyer.
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Sources: The TV Shows That Changed America by Tim Appelo, AARP, February 5, 2021
The recommendation(s), advice and contents of this material are provided for informational purposes only and do not purport to address every possible legal obligation, hazard, code violation, loss potential or exception to good practice. Dean & Draper Insurance Agency specifically disclaims any warranty or representation that acceptance of any recommendations or advice contained herein will make any premises, property or operation safe or in compliance with any law or regulation. Under no circumstances should this material or your acceptance of any recommendations or advice contained herein be construed as establishing the existence or availability of any insurance coverage with Dean & Draper Insurance Agency. By providing this information to you, Dean & Draper Insurance Agency does not assume (and specifically disclaims) any duty, undertaking or responsibility to you. The decision to accept or implement any recommendation(s) or advice contained in this material must be made by you.